IGMAR THOMAS

"I heard the future here and now — in the form of trumpeter Igmar Thomas."              

                                                                                                                                  -Arts Journal

Maestro, Trumpeter, composer and arranger Igmar Thomas is a visionary artist and linchpin of the modern vanguard. His fluency in swing, and knack for transmuting the genres of the African diaspora make him one of the most sought-after minds in contemporary music. An alumnus of Berklee College of Music, Thomas’ role varies from Sideman to Musical Director to Maestro and Artistic Director of Music on international tours and in major institutions for artists like Esperanza Spalding, Kamasi Washington and DJ D-Nice’s acclaimed, Club Quarantine.

Thomas’ most recent position as Maestro, Arranger and Musical Director for legendary artists Busta Rhymes, LL Cool J, DJ D-Nice, and formerly Nas, Ms. Lauryn Hill, and The Fugees has earned him the praise of hip-hop icons DJ Kool Herc, Slick Rick, DJ Premier and Sean “Diddy” Combs, who likened Thomas’ musical directing talents to that of Teddy Riley and DeVante Swing.

Currently, Thomas serves as the Artistic Director of Music & Music Education at the historic Newark Symphony Hall in New Jersey, a Professor of Music at William Paterson University, and the Director of Music Operations at Brooklyn Bridge Park Conservancy in New York City. These esteemed institutions provide a nurturing artistic home and breeding ground for Thomas to freely compose and present for his three renowned ensembles: the Revive Big Band, Revive Orchestra, and the Cypher. In 2015, Thomas released two original compositions as a leader under historic Blue Note Records label in partnership with producer and visionary, the late Meghan Stabile and Revive Music Group. Thomas’ boundless creativity enables him to serve as a conduit for the harmonious synthesis of various genres, eras, and musical styles. His approach to musicianship has empowered peers and legends to embrace the freedom inherent in rejecting purist notions and making music outside of the box.

Buoyed by the musical diversity of his upbringing in a household of audiophiles, Igmar Thomas began playing the trumpet at age 11 in his native San Diego, California. He continued to foster his passion, studying jazz in high school. Thomas’ talent soon found him rubbing shoulders with the likes of Thundercat, Kamasi Washington, and Terrace Martin at gigs on the West Coast. During that time, a chance encounter earned him the mentorship of legendary bandleader and vibraphonist Lionel Hampton, who awarded Thomas a full scholarship to the Lionel Hampton School of Music and the opportunity to perform in his big band.

Thomas continued his education at the aforementioned Berklee on a full scholarship. There, an immersive undergraduate experience preceded the leap to New York City, upon receipt of his bachelor’s degree. In 2010, he founded the groundbreaking Revive Big Band. Since then, Igmar Thomas has become a fixture in venues across NYC and around the world, renowned for his ability to deconstruct, reimagine, and elevate the American canon according to futurist notions and encyclopedic knowledge of musical styles.

Thomas has directed ensembles and played stages at Carnegie Hall, the Kennedy Center, Radio City Music Hall, Lincoln Center, NBA All-Star Weekend, Newport Jazz Festival, Hollywood Bowl, and The Apollo Theater. Some notable international venues include The Royal Albert Hall, North Sea Jazz Festival, Montreux Jazz Festival, and Glastonbury Festival.

A firebrand eschewing the limited tradition of jazz, Igmar Thomas encourages the oneness and continual evolution of the Black Music Diaspora, bridging the generational gap between each of its complementary movements with distinguished poise. Masterful improvisational skill and crisp writing have found Igmar Thomas producing big band and orchestral arrangements for a host of artists, including Queen Latifah, Demi Lovato, both Nick & Joe Jonas, Jill Scott, Robert Glasper, Terence Blanchard, Muni Long, Big Daddy Kane, Bilal, Gregory Porter, Faith Evans, Savion Glover, Ravi Coltrane, Jadakiss, Talib Kweli, Ashanti, Too $hort, KEM, Dee Dee Bridgewater, Dr. Lonnie Smith, and many more. Thomas has recorded or performed with LL Cool J, John Legend, Lil Wayne, Common, J. Cole, Shawn Mendes, The Roots, Patti LaBelle, Yasiin Bey (Mos Def), Terrance Howard, The Roy Hargrove Big Band, Wallace Roney, Swizz Beatz, Raekwon of the Wu-Tang Clan, Tedeschi Trucks Band, Terri Lynn Carrington and many more. Some of his television credits include HBO Rock & Roll Hall of Fame, MTV Video Music Awards, BET Awards, The Tonight Show Starring Jay Leno as well as current host Jimmy Fallon, Late Show with David Letterman, Good Morning America, Jimmy Kimmel Live, The Daily Show with Jon Stewart, Later… with Jools Holland, International Jazz Day, Austin City Limits on PBS, Arte TV throughout Europe and appearances on Comedy Central with Zack Galifianakis.

Thomas’ original compositions and arrangements have both been favored and acquired by professional and education institutions such as NYO Jazz at Carnegie Hall, Purdue University, University of North Texas, Brown University, Peabody Institute of the John Hopkins University, Rutgers University, University of Denver, JazzMN Orchestra, University of Maryland, St. Augustine University, as well as Thomas’ own alma mater, Berklee College of Music amongst others. Igmar Thomas has been honored with a commission from Carnegie Hall to compose an original piece for the prestigious NYO Orchestra.

Thomas’ original compositions and arrangements have been favored and acquired by professional and educational institutions such as NYO Jazz at Carnegie Hall, Purdue University, University of North Texas, Brown University, Peabody Institute of the John Hopkins University, Rutgers University, University of Denver, JazzMN Orchestra, University of Maryland, St. Augustine University, and his alma mater, Berklee College of Music, among others. Igmar Thomas has been honored with a commission from Carnegie Hall to compose an original piece for the prestigious NYO Orchestra.

Thomas was also the inaugural recipient of the annual Roy Campbell Jr. Commission Award in 2014. The prize is awarded to up-and-coming musicians and band leaders at the Festival of New Trumpet.

A rebel preservationist, Thomas’ approach to upholding tradition typically involves breaking all of the rules. Not content with trading in nostalgia to make purists comfortable, he is given to penning virtuosic compositions that mirror the growling, split-tone statements and transcendent language of his trumpet in performance. Thomas is a living distillation of myriad influences with the chops to reimagine timeless compositions for present-day audiences and the fearlessness necessary to shape the sound of the future.

“I think it’s most important for people to take from me the unbounded creativity and the idea that there is another way. There is no wrong or right. There is quality and not quality. Just to be open-minded about music. It doesn’t have to be straight-ahead jazz or straight hip-hop or just one aspect of any other style. I hope people take from my approach the courage to exercise openness. I feel like I am coming into my own purpose –– I’m living. A lot of the things I was raised with, taught, or experienced, I feel like they’re coming together. I’m into other sounds and styles musically. I’m excited about those things –– rhythmically and in the phrasing –– that I would do differently and experiment with as I move forward. I have to be adamant about how that happens and what it ultimately looks like. I want to be explicit about the music that I create and participate in spreading, which is Black Music. The music comes directly from our lived experience and the rhythm encoded and passed down for millennia in African DNA.” - Igmar Thomas